Future Islands’ Fox Theater Show Proves They’re Dynamic As Ever
Nearly two decades into their career, the Baltimore art-pop act Future Islands are probably not surprising anyone at this point.
Unless you’ve been living under a rock for the past decade, you’re extremely familiar with their legendary, star-turning performance on “Late Show with David Letterman.” The band hasn’t really tinkered with their sound all that much, preferring to stay in their bass-and-synth lane. And Samuel Herring—their growling, gesticulating, wonderfully expressive singer—has remained his endearingly intense self.
That doesn’t mean, however, that Future Islands shows aren’t still thrilling, outrageously fun affairs. On Tuesday night at the Fox Theater, the band proved once again that the Future Islands live experience is a singular event.
Of course, so much of that is attributed to Herring’s wonderfully manic energy. Despite conceding that this voice was feeling a little “husky” (a term he mentioned was also used to describe his wardrobe as a kid), Herring strutted through all his greatest onstage hits, dancing, swaying, fist-pumping, exhorting and generally acting like this performance could very well be his last.
The band is touring behind their fantastic seventh album, “People Who Aren’t There Anymore,” another collection of offbeat, strangely catchy synth pop tunes. The setlist leaned heavily on those numbers, with seven songs coming from the new release. The band also dug deep from their beloved 2010 album, “In Evening Air,” performing five renditions from that record, with each of those tunes sounding as vibrant and moving as they did upon their release 14 years ago.
While the band feels reassuringly comfortable by their connection to one late-night show performance, the notoriety of that event does make every Future Islands show somewhat of a waiting game for “Seasons (Waiting on You).” That’s kind of a bummer, since their entire catalog is so strong (no skips!), but it also makes hearing that song live in concert an utterly thrilling, cathartic experience.
Because it’s so closely linked to Herring’s performance on Letterman, it can be easy to forget how amazing and transfixing the song is on its own merits. When the band performed “Seasons” deep into their setlist on Tuesday, the crowd exploded in reaction, some clearly responding to seeing Herring at the height of his powers, but others just awed by the soaring nature of the tune.
Almost as a reminder that the band existed prior to that song, Future Islands returned for an encore that featured “The Tin Man,” a song perhaps equally beloved by the group’s fanbase (I’ve been to more than one Future Islands show with audience members dressed in metallic outfits.)
That song, which set the early standard for the band’s driving, urgent electronica, was a stellar reminder their formula has always been top-notch.
No need to change things now.